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新考古博物馆的竞赛获胜者

时间:2017-08-07 00:00 来源:上品济南装修网 阅读:


XZA建筑事务所的Theoni Xanthi已被选为在塞浦路斯设计新考古博物馆的竞赛获胜者。由记忆,城市和河流三个项目组成,Xanthi的提案首先在寻求新的城市空间来敬意尼科西亚的历史和考古学的。该项目位于中世纪城墙附近,通过改善现有的城市和绿地使其在改变中发挥关键作用。


Theoni Xanthi of XZA Architects has been selected as the winner in the competition to design the new archaeological museum in Cyprus. Composed of three layers corresponding to Memory, the City, and the River, Xanthi's proposal took first place in a competition that sought a new urban space to celebrate Nicosia’s history and archaeology. The project is situated in close proximity to the medieval city walls, enabling it to play a key role in altering and upgrading the existing urban and green spaces that surround it.



“新的考古博物馆 - 在今天的全球化现实之中 - 试图通过产生塞浦路斯文明的元素来表达自己的身份,”Xanthi解释说,“不仅材料,而且还有地中海生活和文化的特点(接近自然,会议中心,景观视野,浓密的树荫等),在日常生活中仍然存在...它旨在成为一个具有里程碑意义的文化设施,将培育新的环境和文脉,并为对城市增添活力。”


“The new archaeological museum—within today’s globalized reality—seeks to express its identity through the elements that gave birth to the  Cypriot civilization," explains Xanthi. "Not only the materials, but also the characteristics of Mediterranean life and culture (the proximity of the natural, the meeting centers, the sightlines to the landscape, the search for dense shade etc) that are still alive in the everyday life of the locus... It aims to be a landmark, a cultural installation that would nurture new environments and behaviors, and act as a revitalizing gesture to the city.”



三个水平区域旨在将过去的考古发现与现在结合起来,创造出显然悬殊的建筑。博物馆位于最高层的“记忆”层,中间的“城市”层以“欢迎城市”,底层“河流”层可容纳日常活动。同样,博物馆本身也是永久性的展览品。


Three horizontal zones aim to combine past archaeological finds with the present, creating the apparently hovering building. The museum is located in the uppermost "Memory" layer, while the intermediate "City" layer “welcomes the city” and the bottom "River" layer accommodates everyday programs. Similarly, the museum and permanent exhibitions themselves are also fragmented in three ways.



其中第一个是TOPOS,它突出了塞浦路斯第一批定居者与他们所居住的土地之间的关系。土地和水之间的联系是SEA的重点,而第三类,COSMOS探索不同地中海文化之间的相互作用。


The first of these is TOPOS, which highlights the relationship between Cyprus' first settlers and the land they inhabited. The connection between land and water is the focus of SEA, while the third category, COSMOS, explores the interaction between different Mediterranean cultures.



由三座建筑物组成的博物馆,通过创造对河流和城市的景观来应对其所在的三角形地带,延伸环境的视线。 在地面上是公共领域,允许通过高架建筑物,并创建诸如庭院,花园,中庭和公共广场的空间。 入口被生物气候冠层划分,因为设计旨在涵盖结构,城市,功能和生物气候的需求。


Formally, the three buildings comprising the museum respond to the triangular plot upon which it is located by creating views towards the river and the city, extending the sightlines of the environment. At ground level is the public realm, allowed to pass through the elevated buildings and creating spaces such as yards, a garden, an atrium and a public square. The entrance is demarcated by a bioclimatic canopy, as the design aims to encompass structural, urban, functional and bioclimatic demands.



通过展览空间组织创建“博物馆功能”,夹层层面以人文规模运作,并将许多小型展览整合到表皮中,为各种媒体展示创造机会。


A “museological narration” is created through the organization of exhibition spaces, with the mezzanine level operating at a human scale and numerous small exhibitions integrated into the envelope, creating opportunities for diverse media displays.



总平面图


平面图


北立面


剖面图


示意图


概念图


构造层序


模型

建筑师:Theoni Xanthi

地点:塞浦路斯



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